A bright prince from Dark Ages

Ostroh Academy and Den announce 2010 the Year of Prince Kostiantyn Ostrozky
IN THE NEXT ISSUE
On politics
without politicking

Den/The Day meets young people in Vinnytsia
Poet
of photography

Images of 20th-century Ukraine in Vasyl Pylypiuk’s works and in his gallery

   Wednesday, 10 February 2010

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Culture

Or the Ukrainian metropolitan’s European choice

History often strikes us with its contrasts. One of the sharpest is that the first half of the seventeenth century Central Europe saw the terrible Thirty Years’ War (1618- 1648), with the first stage of it being dominated by the conflict of Catholic and Protestant states. This war claimed the lives both on the battlefield and from diseases, of a

Precious Beauty

Exhibition of works of the famous Kyiv enamelers Tetiana and Serhiy Kolechko opened in the Griffin Gallery. The precious beauty of this ancient, most complicated, and most refined art is filled in the work of the artistic couple with a contemporary tone, simultaneously a reminder and an appeal. The works by Tetiana Kolechko might seem more

January 15 was the 130th anniversary of Ahatanhel Krymsky’s birth

World renowned encyclopedist, scholar, Orientalist, Slavicist, historian, philologist, talented poet, prose writer (his first publications in the Lviv journal Zoria received favorable comments from Ivan Franko who called the novice “a highly original phenomenon in our literature”), friend of Lesia Ukrayinka (who wrote him the sincere words, “The

Singer In the Russian Camp

Among those at the outset of the brain drain northward was Feofan Prokopovych, an outstanding statesman and theologian of Russia under Peter I. He was an ardent exponent of the idea of the Russian tsar being chosen by God and the theory of Moscow as the Third Rome. The brothers Oleksiy and Kyrylo Rozumovsky, the former a favorite of Elizabeth of

It Happened One Night

New Year and the Christmas season have offered us an opportunity to take a closer look at the way television entertains us and to acquaint ourselves with the treasures of art that Kyiv and Moscow television studios have prepared for us. The general and by no means exclusive impression is grayness, the feeble and even ridiculous pretensions of

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